Martín Musa Musaubach

Martín Musa Musaubach 阿根廷馬丁樂隊團長

他於四歲便開始他的音樂生涯, 其中經歷許多名師授教也鑽研過各種不同風格的音樂, 但最受他個人喜愛的還是藍調.
20歲Martin開始鑽研古典鋼琴, 鋼琴編曲, 及作曲, 而他當時的私人老師便是著名的阿根廷音樂學院的音樂系主任, 他不斷的學習鑽研音樂, 一直到他在2007年前往中國為止.
他為爵士所影響的另一位重要角色為”Guillermo Romero”, 一位世界知名爵士鋼琴演奏家, Martin向他學習了許多位不同爵士鋼琴演奏家的風格並且鑽研其精瓍. 而這也因此讓Martin獲得進入著名的柏克萊音樂學院爵士音樂所的資格, 他在柏克萊音樂學院唸了兩年之後因為經濟因素無法完成學業, 於是便休學開啟了他個人的音樂生涯闖蕩. 但Martin並未因此喪氣, 他從13歲便開始累積的現場演奏經驗加上多年鑽研的音樂知識為他帶來許多演出機會, 在參與完第147屆La Plata 紀念慶典演奏之後, Martin決定離開大舞台, 利用他畢生所學及經歷開始經營屬於他自己的音樂族群, 並且籌組了馬丁樂隊, 前往中國亞洲各國開啟嶄新的音樂生涯…

Mr.Martin “Musa” Musaubach~(Leader of Musa Trio)
Piano, Keyboard, Composer, Arranger, Producer “from La Plata, Buenos Aires Province, Argentina”

He started his career in music at the young age of 4. With as many teachers as he could and in many styles possible, but with his heart on blues he study nonstop until now. One of his best masters was Sergio Balderrabano, the head of the Harmony Department in the best music college of Argentina, the Bellas Artes College, under the University of La Plata. With him Martin started at the age of 20, learning classical piano, as well as arrangements and composing, studying the works of greats as Debussy, Beethoven, Bach, and others for 5 years until he had the chance to come to China for the in August of 2007. His other influence in Jazz was Guillermo Romero, one of the greatest professionals of Jazz Piano in Argentina. With him, Martin study the work of Art Tatum, Oscar Peterson, Thelonius Monk, Herbie Hancock, Chic Corea and other great masters of jazz. Also spend 2 years in the world famous Jazz College Bercklee School of Music (Argentina). He stayed there until he completed the harmony course and piano course, but for economical reasons he couldn’t finish the Career. Martin started playing live music at the age of 13 with a blues band called Labrusca Blues Band. With this band toured the whole Buenos Aires province and played in many theatres and bars. After some time, at the age of 17 he put together as founder member a rock band called Zoe and toured the whole country playing for really big audiences with a mark made in the Stadium of Obras Sanitarias playing for three thousand people and at the opening of the Concordia Carnival playing for 6 thousand people. Then Labrusca Blues Band called him again as a guest to play in the 147th anniversary of La Plata for more than twenty five thousand people. After this, Martin decided to get away of big stages and start making music for smaller crowds and he put together the MUSA’s Trio, to play Jazz, Latin Jazz, Blues and all the music he had been learning throughout his entire life. And was this band that gave him the opportunity of travel outside Argentina to find in Asia the place to develop himself and continue his musical journey.