Autumn Tea , 任明瑤

秋水茶

清新又容易分心的音樂組合，呼朋引伴的游牧在後搖滾及民謠之間，亦說亦唱的把故事埋進歌裡，拼湊出古典/民謠/獨立搖滾影響下的混合配置。

Autumn Tea, est enfin devenu un projet de musique a partir de 2006 ou il a été propose entre des amis. Cela a élargi ses spectacles publiques chez la scène de musique Post-rock, et Folk. Sa musique, savant mélange de compositions classiques et d’influences folk/Indie Rock, offre un moment de grâce et de douceur. Essayant de trouver les paroles sur leurs vies et les observations de la société, Autumn Tea unit leur histoires personnelles et les melodies simple, afin de manifester la veine de ses pensés délicats.

"都市觀察計畫 II" 藉由七零年代的阿姆斯特丹， 對照出台灣城市變遷與都市計畫類似脈絡，希冀以此表述當代社會概況， 讓聲音及歌曲與荷蘭社會運動的故事內容，產生對話的新型意義。

“Urban project II", the appropriation of urban collective memory of Amsterdam in 1970s, is to search for its similarity of the thread in taiwanese contemporary urban transformation and development. By creating the dialogue between fictional stories and songs, the practice of borrowing pre-existing historical events wishes to form a new representation of modern taiwanese society observation.

斯海爾托亨博斯：歸途 's-Hertogenbosch: way back home
預告片 Trailer:

一九七零年代，阿姆斯特丹的都市更新計畫引發了新市場抗爭運動。立意良善的都市更新計­畫，為了解決過度膨脹的人口問題，逐漸讓市民對於政府偏頗不公所引發的社會失衡感到不­公，憤而起身對抗政府，另也帶來青年世代在七零後期的低潮徬徨轉向都市無政府主義的蓬­勃發展。

二零一零年代，同樣正經歷著都市更新的台灣社會，社會不公和房產泡沫化等皆顯露出，如­同諾貝爾經濟學獎得主Friedrich August von Hayek的著作所提及的，法治原為個人自由的屏障，由於無限制的立法擴張，現在卻一­步一步侵蝕個人自由，通往奴役之路。

In 1970s, we witnessed how Amsterdam's urban renewal plans went wrong. The good intention of building a better city, gradually turns into the magnets of outrage committed by its citizens arising against the government and the depression of youth generation shown by squatting movement as an urban anarchism.

In 2010s, experiencing the urban renewal by Taiwanese government, the social injustice and housing bubble, leads all the ways to "The Road to Serfdom", as a reflection of the discourse proposed by Friedrich August von Hayek in 1940s.

"There isn't anymore a place called HOME."

任明瑤

一个自2009年就想一把吉他走遍台湾，因为哥哥的一句“你连个C和弦都弹不好”而清空了存钱罐买了吉他的明瑶，从带着她的乐器开始了一段流浪旅途。

因为一场失败的比赛她损伤了声带，然而不管是小时候的梦想，还是长大后的梦想，无论站在舞台上的目的是什么，思考的是什么，悲伤，快乐亦或是迷茫都从未动摇她唱下去的决心。

明瑶的嗓音让我联想到一首经典的《Zombie》，唱至高潮处仿佛声嘶力竭，从轻柔化作叹息，化作哽咽。在旋律里忘记自我吧，感受她之间紧绷的琴弦和受伤的旋律，一声一声似乎可以撕开你的伤口，把灵魂都掏空。

而痛彻心扉后阴霾终会散去，也许在明瑶的有关音乐的“流浪日记”里你会豁然开朗，我们所追求的是当下的快乐。过去总会过去，未来总会到来，只要拥有想要追逐的梦想，踏上旅途的心情便会是愉悦的。

Patty is a sexy and talented singer-songwriter out of Kaohsiung, where she plays guitar+sings regularly with her band, 黑金學院. She has a wide variety of styles, as well as a very unique singing-voice! "I am a girl who always knew what I wanted to do. I have a dream to sing to everybody. I got the feeling and I write songs and sing to reflect my feeling. It's all about me, my faith & my soul." - Patty